
How to train classical artists for the challenges of the digital age and career development.
Founded in 1919 by Alfred Cortot, the École Normale de Musique de Paris embodies French artistic excellence. Each year, nearly 600 students from around the world come to train with internationally renowned professors.
But while artistic standards remain intact, the professional landscape has profoundly changed.
In the past, an artist could focus almost exclusively on their instrument, competitions, tours, and meetings with agents or record labels. Today, the reality is different, and musicians must also:
These skills must be mastered from the very beginning of their careers. Indeed, contrary to popular belief, it is extremely rare for artists to receive support early on. Alone, they must manage all aspects of communication to succeed in the initial stages.
The artist's profession has thus become strategic, but these skills are rarely taught in traditional classical music curricula.
From the students' perspective, the observation is clear: they feel insufficiently prepared for the realities of the contemporary market.
Industry stakeholders (labels, platforms, agencies, institutions, etc.) share the same assessment: classical artists often enter the market without mastering digital skills, unlike those in other genres where these instincts are inherent. Consequently, they cannot invest as much as they would like in these musical genres.
With Vialma, the École Normale de Musique de Paris thus aimed to be the first school in Europe to address this industry gap. The program has notably enabled it to:
The question was no longer merely pedagogical; it had become institutional. How can artists be prepared for a world that demands as much strategic vision as artistic excellence?
When Vialma and the École Normale de Musique de Paris decided to collaborate, the ambition was clear: not to simply add a digital module, but to create a foundational program.
The objective was twofold.
The Digital Chair, created by Vialma in partnership with the École Normale de Musique de Paris, aims to enable students to:
The goal is to equip artists with the tools to make informed decisions.
In a world where audiences are fragmented and intermediaries are evolving, the ability to build a direct relationship with one's audience (Direct-to-Fan) becomes central. This is, in fact, Vialma's very DNA: to enable institutions and artists to regain control of their relationship with their audience.
For the École Normale de Musique de Paris, the Digital Chair also represents a strategic lever:
The Digital Chair is not merely an "extra" but becomes a foundational element of the institution's project.
Unlike a purely technological solution, Vialma has co-developed with the École Normale de Musique de Paris a comprehensive educational program, inspired by the principles of leading business schools: rigor, selectivity, professionalization, and networking.
The Digital Chair, accessible by application, aims to provide tomorrow's talents with the means to:
By following this program, students:
On average:
These figures reflect a real need and strong appeal.
Each session is built around three key phases.
The training is never purely theoretical.
The program's strength also relies on its ecosystem: Universal Music, Radio France, IMG Artists, Deezer, Opéra Comique, HarrisonParrott, specialized law firms… over fifteen leading organizations are regularly involved.
Why do they participate? Because they also see the disconnect between artistic excellence and strategic mastery. They know that a better-prepared artist is a more relevant artist.
The Digital Chair thereby builds a tangible bridge between the academic world and the industry.
The guiding principle of the program is simple: to train artists capable of understanding their entire ecosystem.
Upon completion of the program, each student possesses a complete strategic deck:
This document was co-created with industry professionals: agents, label executives, lawyers, marketing experts, etc.
The objective is clear: by the end of the program, the artist should know what to do, in what order, and with which partners.
In parallel, Vialma developed a white-label multimedia streaming platform for the École Normale de Musique de Paris.
Beyond technology, this platform plays a strategic role:
It becomes an editorial hub serving the École Cortot community, from students to patrons and partners, including alumni and faculty.
The Digital Chair has validated a systemic need: artists want to understand the ecosystem, and the industry wants to share its knowledge.
The Digital Chair has enabled the institution to:
It helps to reposition the École Normale de Musique de Paris as an institution that is both historic and forward-looking.
For participating companies, the Digital Chair represents:
These organizations contribute to building a new balance between creation and strategy.
Student testimonials summarize the program's impact:
Professionals from the sector who participate also emphasize its necessity:
The Digital Chair demonstrates that it is possible to combine:
Beyond being a program, it serves as a strategic instrument for broader impact.
It also demonstrates that digital technology has become an essential component of artistic development.
Join the digital program created by Vialma and the École Normale de Musique!
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